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Thursday, April 3, 2025

Aliyyah launches The Yard

by

20160702

Valdeen Shears-Nep­tune

She was jeal­ous of the pro­lif­ic Eng­lish au­thor Charles Dick­ens for pen­ning Great Ex­pec­ta­tions and would eas­i­ly de­clare that af­ter read­ing A House for Mr Biswas as a stu­dent of lit­er­a­ture, she was con­vinced that a path was made for lo­cal au­thors like her­self.

For Aliyyah Eniath, the seed was plant­ed for what would years lat­er be her de­but nov­el, a lit­er­ary ro­mance ti­tled, The Yard.

"I was great­ly in­spired when af­ter read­ing A House for Mr Biswas at school, I re­alised a nar­ra­tive set in a seem­ing­ly-in­con­se­quen­tial is­land in the Caribbean could have world­wide ap­peal and al­so for the first time, I could make it as a nov­el­ist," said Eniath dur­ing a re­cent in­ter­view with the Guardian.

The for­mer Holy Faith (Cou­va) stu­dent said the gen­e­sis for her nov­el, which launched on June 17, in New Del­hi, In­dia, was a ca­su­al con­ver­sa­tion on adop­tion. The nov­el was pub­lished by Speak­ing Tiger Books and launched in con­junc­tion with the T&T High Com­mis­sion in In­dia.

"I was hav­ing a con­ver­sa­tion with a fel­low Mus­lim in Trinidad and ca­su­al­ly said I was think­ing of adopt­ing a child. She re­spond­ed by say­ing it was against our faith. I was tak­en aback. How could some­thing so self­less be against one's faith?" she mused.

Eniath said she looked in­to the sen­si­tive top­ic fur­ther and saw the com­pli­ca­tions of adopt­ing a child in Is­lam.

Among those were the is­sues of be­ing pro­hib­it­ed to change the child's name and to claim the child as your own. Ad­di­tion­al­ly, if one adopt­ed a boy and the house­hold had girls then they would be re­quired to wear full garb and hi­jab at all times in his pres­ence. The fe­males could al­so wed an adop­tive broth­er.

The idea stuck in her head and while ad­mit­ted­ly it dis­cour­aged her some­what from adopt­ing, out of this was borne the idea of the pro­tag­o­nists, Behrooz, an aban­doned young boy, adopt­ed by busi­ness­man Khalid and his way­ward and re­bel­lious daugh­ter, Maya.

It took her five years to fi­nal­ly write "the end" on the last page of Behrooz and Maya's sto­ry, but she said it was a long process of rewrit­ing and re­draft­ing.

"It took this long be­cause I was learn­ing to find and per­fect my voice and re­fine my writ­ing tech­niques for that par­tic­u­lar craft as I went along," she said.

The Yard tells of the growth of a child­hood bond and lat­er a strug­gle with ro­man­tic at­trac­tion.What fol­lows is a haunt­ing sto­ry of love, fam­i­ly oblig­a­tions and re­demp­tion.

"In the end, the nov­el calls for a jour­ney of the heart, do­ing what you feel in your heart is the right thing to do, rather than fo­cus­ing on strin­gent re­li­gious rules and cul­tur­al pre­dis­po­si­tions, which in this case caused prob­lems with the fam­i­ly and for my pro­tag­o­nists," she said.

While she said life did not im­i­tate art for her nov­el and none of the char­ac­ters re­sem­ble or rep­re­sent any­one in her nov­el, she not­ed the nov­el's ti­tle and its set­tings mir­ror that of a lo­ca­tion in Curepe, Trinidad, where her fa­ther grew up as a child. Eniath said she was fas­ci­nat­ed when as a child her fa­ther would take her on hol­i­day trips to the "The Yard" in Curepe.

Just like in an­oth­er of Eniath's favourite nov­el, Wuther­ing Heights, she not­ed that the en­vi­ron­ment was as in­te­gral as the pro­tag­o­nists them­selves.

As for the nov­el's launch in In­dia, Eniath said she had looked in­to find­ing a pub­lish­er in the Caribbean for fic­tion with world­wide dis­tri­b­u­tion, net­works and links for agents and pub­lish­ers, spe­cif­ic to what she want­ed to pro­duce and there was none.She then looked abroad for a pub­lish­er both in the UK and In­dia where she felt there would be an in­ter­est in the book, as those two ter­ri­to­ries just seemed to fit.

This jour­ney would see her seek out the part­ner­ship of Renu­ka Chat­ter­jee in In­dia, who is re­put­ed for be­ing the top lit­er­ary agent there.

"Luck­i­ly she fell in love with the book and when she be­came the con­sult­ing ed­i­tor for Speak­ing Tiger Books (In­dia) an of­fer came from the pub­lish­ing house to pub­lish and in­tro­duce me as a nov­el­ist in the In­dia sub­con­ti­nent," she ex­plained.

Eniath was ex­pect­ed to host her first read­ing yes­ter­day at The Nor­mandie, Tea and Read­ing, Pa­per Based Work­shop. The event will al­so see the read­ings of oth­er Caribbean writ­ers.

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ABOUT THE AU­THOR

Aliyyah Eniath has over ten years ex­pe­ri­ence in print­ing and pub­lish­ing and has been ex­posed to the in­dus­try all her life, as she grew up around books and print­ing in her fam­i­ly's busi­ness, Eniath's Print­ing Com­pa­ny Ltd. Her glossy mag­a­zines Caribbean Belle and Belle Wed­dings have won awards from the Caribbean Ad­ver­tis­ing Fed­er­a­tion and the Flori­da Print­ers' As­so­ci­a­tion for print de­sign and print­ing.


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