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Friday, April 18, 2025

One of a dying breed

by

20130114

Arn­im Quam­mie learned most of his wire bend­ing skills on his own. Ac­cord­ing to the 66-year-old crafts­man who be­gan his mas mak­ing ca­reer at the ten­der age of nine, "If you want­ed to play mas in those days you had to make your own cos­tume. The bands would have sam­ples but if you want­ed to play you had to make your own mas."

Quam­mie "born and grow" in St James where he was al­so in­volved in the steel­band move­ment. "Old­er fel­las would guide you along the way in some as­pects, but most of what I know come from lots of tri­al and er­ror. It had plen­ty times when peo­ple laugh at my head­piece be­cause it was so ug­ly but I didn't care.

"I want­ed to play my mas," he said in an in­ter­view yes­ter­day.

By the time Quam­mie was 17, he de­signed and con­struct­ed a sec­tion in a band. Since then, Quam­mie has worked with nu­mer­ous bands. Cur­rent­ly based with the band Bel­mont Orig­i­nal Style Sailors (aka De Boss), Quam­mie al­so works on king and queen cos­tumes for both adults and chil­dren. In the late 1990s and ear­ly 2000s Quam­mie would al­so trav­el to the US an­nu­al­ly for the New York Labour Day pa­rade to work with the mas band Bur­ro­keets.

He notes that the wire bend­ing is a dy­ing trade, how­ev­er, and lament­ed that the young peo­ple whom he once taught were no longer in­ter­est­ed in the craft.

"Most peo­ple are do­ing plas­tic mould­ing nowa­days be­cause they can't do wire work any­more. Some of the wire ben­ders are dead or aged and the gov­ern­ment has no pro­grammes at YTEPP or any­where to teach young peo­ple these things."

Quam­mie feels that the loss of in­ter­est in wire bend­ing will re­sult in fur­ther loss of this cul­ture. "In time to come what you would be see­ing for Car­ni­val is more of what we see­ing now which is bra and panties be­cause peo­ple in T&T don't ap­pre­ci­ate the art of wire bend­ing."


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