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Saturday, April 12, 2025

Car­ni­val 2014

Reinventing bat mas

by

20140226

"I nev­er planned for this to be an es­tab­lished band," says artist Richard "Ashraph" Ram­saran. "Every year I say this is the last time. But the peo­ple won't let me."

"The peo­ple" are the loy­al mas­quer­aders who sign up each year with Cat in Bag Pro­duc­tions, the small but live­ly mas band led by Ashraph with the help of a corps of vol­un­teer col­lab­o­ra­tors.

Launched in 2009, Cat in Bag has won a rep­u­ta­tion for its in­no­v­a­tive cos­tumes, of­ten us­ing tra­di­tion­al ma­te­ri­als, and its ir­rev­er­ent brand of so­cial and po­lit­i­cal com­men­tary, which draws on the tra­di­tion of old mas.

In 2014, Cat in Bag plans to re­lease a colony of colour­ful vam­pire bats in­to the streets of Port-of-Spain. Suck It rein­ter­prets tra­di­tion­al bat mas to make a point­ed state­ment about the blood­suck­ing ef­fect of cor­rup­tion and graft in con­tem­po­rary T&T.

The cos­tumes in­clude head­pieces made of pa­pi­er-mach� on wire frames, cre­at­ed with the help of vet­er­an wire-ben­ders Kendall de Peaza and Clyde Bas­combe.

Suck It fol­lows Cat in Bag's 2013 band, Sink or Swim, which ref­er­enced tra­di­tion­al sailor mas, and pre­vi­ous mas pre­sen­ta­tions based on sev­er­al an­i­mal char­ac­ters: chick­ens, snakes, vul­tures, and cows.

En­ter­ing for the pa­rade of the bands com­pe­ti­tion since 2010, Cat in Bag has won sev­er­al prizes each year since then, and at­tracts a fol­low­ing of mas­quer­aders–many of them cre­ative pro­fes­sion­als–look­ing for a cre­ative, in­tel­li­gent, and em­i­nent­ly en­joy­able al­ter­na­tive to larg­er and more com­mer­cial all-in­clu­sive bands.

The 2014 pre­sen­ta­tion is Cat in Bag's biggest yet, with near­ly 70 mas­quer­aders reg­is­tered, while fur­ther re­quests to join con­tin­ue to stream in via the band's ac­tive Face­book page.

Many of the mas­quer­aders have al­so put in time at the mas camp, help­ing make cos­tumes–all of which is doc­u­ment­ed in a se­ries of on­line videos shot, edit­ed by Geor­gia Pop­plewell, a mem­ber of the team of col­lab­o­ra­tors. Oth­er artists in­clude Shali­ni Seereer­am and Richard Rawl­ins and ed­i­tor Nicholas Laugh­lin.

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