The bacchanal called Carnival is back upon us, once again. It is hailed as "our culture" and the "greatest show on earth." Both claims need to be subjected to some more objective and rigorous scrutiny. There is a mass exodus of Trinidadians/Tobagonians out of the country on the weekend of Carnival and an even bigger population shift to the beaches on the days in question. If, as some suggest, there is a huge influx of foreigners to join in the parade of the bands and to attend the various shows and fetes, then we need to quantify what is the percentage of the population that actually actively participates in mas playing and make the subsequent determination as to whose festival it really is. If it is our festival then it must be driven by the cultural forces at work locally. One gets the distinct impression that the traditional Carnival culture of wire bending, costume making and other historical art forms are no longer in vogue or practice.
This would suggest that non-traditional forces, within and without, are the main determinants. So the following question must be posed. Whose festival is it and for whom is it aimed? The movement away from clothed and costumed masqueraders to "cover-as-little-as-you-can" pelvic vibrational gyrators is cause for national concern and shame. Sure street dancing is good, some display of skin might be acceptable but what passes for "culture and art form" would put serious blushes on hardened barbarians. The line must be drawn between what is art and what constitutes outright vulgarity. The motions that take place on the street, particularly when the cameras are focusing on the revellers, might remind an entomologist of the movements of "mad ants in heat." It would appear that the sense of shame and decency are alien at that point in time.
Humans are wired for a sense of enjoyment but there are things of joy that are illegal and the law must be enforced even-handedly. So even though heroin or cocaine may bring joy to addicts, their use is illegal.
The consumption of alcohol and driving is allowed once the amount consumed is within the legal limit; determined by the breathalyser test. There is also a test for dancing. It has been reported on several occasions in the media that people have been arrested for lewd and suggestive dancing in night clubs and houses of ill repute. Clearly there is a test that determines the boundaries between what is acceptable what is lewd and suggestive. One would presume that sexually explicit movements would qualify as lewd and vulgar. The motions that occur during the Carnival season in the public spaces are not just lewd, they are explicitly lewd and create the environment for sexual permissiveness and sexual exploitation; small wonder that the Caribbean and Latin American regions, in general, and T&T, in particular, are gaining attention as sex tourism destinations.
The tightening of the laws and more rigorous enforcement of same in the Asian countries once known for sex tourism has seen a shifting tendency towards the Caribbean as the new hot spot. All of the governments of T&T, for the past few decades, have put tourism and transformation of the economy on the front burner. None had or have sex tourism in mind. No one is suggesting that we institute a cadre of "clothes police" but surely there must be enough citizens who think that enough is enough; that it is time to bring back some sanity and decency to these festivities. However many they are, this is a call on their behalf to the law enforcement agencies to enforce the law with regard to not only drinking and driving but also on lewd and vulgar dancing. To ensure that the message is crystal clear, a proclamation must be made before Carnival Tuesday that those, irrespective of their social position or office or citizenship, who simulate the sexual act, singly, as couples or in groups, will be in breach of the law with the attendant consequences. Simulated sexual actions qualify as lewd and vulgar dancing and the law should be enforced. The trend from clothed and costumed mas to scantily dressed gyrators is in urgent need of reversal.
Prakash Persad is the director of Swaha Inc