There's so much to write about today, I simply don't have the space to say it all. As usual, I made my rounds of all-inclusive fetes, including Republic Bank's La Vida Loca, which was off the wall as usual, and Belmont Boys' Secondary Ex-Pupils (BELEX). I must make special mention of the latter, staged at Lions Cultural Centre in Port-of-Spain. The lads, stoutly supported by their wives and girlfriends, really put some effort into it.
The music, food and atmosphere created all deserve a top mark. It was gratifying to hear Caribbean Traffik Jam finally sound like the Andy Joseph-led aggregation of old. Though I arrived late at the venue, in fact after the time the fete was scheduled to end, Roy Cape All Stars' exhilarating performance made the trip worthwhile. Also on the bill were Dwight "Big Daddy" Phillip, Jeremy Sookdar, TC Supa Jigga, JW & Blaze, Maximus Dan, who celebrated his birthday on the night, and sexy newcomer Jaime. Also in the house was�DJ Red Entertainment's crew, comprising of Dos, Boobie, David and Red himself.
LEFT: This Solo Harmonites pannist seems framed by his instrument. Photo: Anthony Harris
The caterers all came up with some enticing morsels, including a wicked fish chowder by Assam Caterers, and some mouth-watering gyros by Nicholas Coreia. Also in the kitchen were Ashton Bennet, Anthony Monsegue, Peter Scipio and Annie Ramjagasar. People are still talking about Scipio's barbecue pigtail, tastefully prepared with just a hint of salt. Top Notch Bar Services kept the beverages flowing until the fete ended, much to everyone's satisfaction.
I would really like to see considerably more support from parents and past students for this worthwhile venture. Your support was woefully missed, and you missed out on a great night of fun. On another note, having heard the new music for C2K10 for the past six weeks, I am left to believe that calypsonians the Mighty Fluke and Lord Popo died much too early. They would have revelled this year, given the amount of trite, nonsensical music being foisted upon us on the airwaves. I really hate the overhyped phenomenon of "riding ah riddim" and reiterate that the music is so poor that in every fete I've attended, the DJs and the bands have had the strongest response when they played retro calypso.
Savannah Party
So much has already been said about Sunday's National Panorama semifinal, held at the Queen's Park Savannah, but I must add my two-cents. First off, hats off to the public of T&T for its exemplary behaviour on Sunday, despite grouses expressed over being charged $60 to access the Drag. Notwithstanding the pros and cons of this decision, Pan Trinbago did a remarkable job at presenting 45 steelbands before judges and public in approximately 15 hours. Nary a complaint was heard from patrons in the main stand throughout the day, as the steelband organisation received effective support from the law enforcement personnel and its courteous ushers and sanitation crew.
RIGHT: The guys of Petrotrin Phase II Pan Groove play themselves into winners' row on Sunday. Photo: Anthony Harris
In fact, as I walked into the washroom behind the main stands, approximately 12 hours after the show began, one obviously inebriated patron loudly exclaimed: "Wha' is dis. Like we in de Hyatt or what? How dis place clean so? And it smelling sweet fuh so." About the results, I am still in shock at the cruel hand dealt to Sagicor Exodus, as I found the St Augustine band to be one of the best, if not the most powerful, on the day. I also think that Valley Harps performed the best interpreted piece on Sunday–De Fosto's Battle Zone, arranged by Michelle Huggins-Watts.
The other high point for me on Sunday was the growing number of young arrangers, guys I've known from their childhood, that have matured into the best musicians and arrangers money can buy. I refer to youths like Arddin Herbert, Seon Gomez, Amrit Samaroo, Andre White, Curtis Edwards, Cheo Cato, Cary Codrington, BJ Marcelle, Johan Popwell, and Michelle Huggins. I can't wait to hear what new musical innovations the likes of Herbert, White, Gomez and Edwards will come up with in years to come.
On a final word on this paying for the Drag issue, while I can see where Pan Trinbago president Keith Diaz is going with this idea, I don't think it was properly articulated, or marketed with sensitivity, prior to Sunday's show. I don't believe that any art form ought to be given for free but, when I pay, give me my money's worth.
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BLOODNOTES
The history of Carnival
This week, I came across a must-buy item for your Carnival archives. It's a publication launched this year, titled Mackett's Trinidad and Tobago Carnival Calendar–1932-2009. Priced at a mere US10 (TT$60), the publication comprehensively documents the winners in every major T&T Carnival competition, including the calypso category winners, National Junior Calypso Monarch and Chutney Soca competitions, from inception.
Aside from providing reliable information for students of calypso, pan and mas, the glossy magazine is also chock-full of eye-catching photos of the champions. This publication is not just a collector's item but an invaluable source of information for students at all levels, and cultural researchers.
Many are claiming that if JW & Blaze win this year's Road March title, it would be the first time that a non-calypsonian would cop the coveted laurel. The magazine, however, shows that there is precedent in Road March history, as a non-calypsonian won the 1955 title–The Happy Wanderer.
Mackett's Trinidad and Tobago Carnival Calendar–1932-2009 is available at the following outlets:
RIK
Ishmael Khan
Readers Bookshop
Crowne Plaza
Keith Khan Book Store
Mohammed's Book Store
Metropolotan
Colours Restaurant, Gatacre Street, Woodbrook.
