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Wednesday, April 23, 2025

Steelpan, jazz fuse for music workshops

by

20101022

En­gag­ing, ex­cit­ing, in­for­ma­tive–words used by par­tic­i­pants to de­scribe the Trinidad and To­ba­go Steel­pan and Jazz Fes­ti­val (TTSJF) an­nu­al se­ries of De­vel­op­men­tal Work­shops for Young Mu­si­cians.

An in­struc­tive ac­com­pa­ni­ment to its con­cert pro­gramme, these free work­shops pro­vide op­por­tu­ni­ties for young mu­si­cians to im­prove their craft by ob­serv­ing the re­fined tech­niques of, and lis­ten­ing to the dis­cern­ing ad­vice dis­pensed by pro­fes­sion­al mu­si­cians from abroad and at home.

Spon­sored by First Cit­i­zens Bank, the TTSJF 2010 work­shops run from Oc­to­ber 26-29 and are fa­cil­i­tat­ed by ac­claimed key­boardist Je­re­my Led­bet­ter, and award win­ning trum­peter, Alex­is Bar�.

Born and raised in Ha­vana, Cu­ba, and clas­si­cal­ly trained as a mu­si­cian, Bar� moved to Toron­to in Jan­u­ary 2001.

Since then, he has per­formed live and record­ed with An­drea Bo­cel­li, Paquito D'Riv­iera, Jon Seca­da, David Fos­ter and Hi­lario Du­ran among oth­ers.Bar� was vot­ed Cana­da's Na­tion­al Jazz Awards' "Best Trum­pet Play­er" in 2004. He opened re­cent­ly for Her­bie Han­cock at the Ot­tawa Jazz Fes­ti­val. A ver­sa­tile writer, pro­duc­er, and mul­ti-in­stru­men­tal­ist, Je­re­my Led­bet­ter grew up in Kitch­en­er, On­tario, and was clas­si­cal­ly trained on the pi­ano from age sev­en.

He com­plet­ed a de­gree in jazz per­for­mance at York Uni­ver­si­ty, Toron­to and al­so stud­ied the steel pan at UWI, St Au­gus­tine.

Led­bet­ter has lived and worked in Aus­tralia, Cu­ba, the USA, and Nicaragua; he found­ed Cane­Fire in 2005 as a ve­hi­cle for in­cor­po­rat­ing the var­i­ous Caribbean and Latin sounds that in­flu­ence his mu­sic.

Led­bet­ter de­scribes the TTSJF work­shops, as cru­cial to stim­u­lat­ing the nat­ur­al mu­si­cal tal­ent that abounds in T&T.

"The work­shops aim to ex­pose young mu­si­cians to a very high lev­el of mu­si­cian­ship, and kinds of mu­sic that they may not see all that of­ten, like jazz for ex­am­ple," said Led­bet­ter.

"Dur­ing the work­shop stu­dents have an op­por­tu­ni­ty to in­ter­act with pro­fes­sion­al mu­si­cians from T&T and abroad, to see how jazz and blues re­late to more fa­mil­iar gen­res like ca­lyp­so and so­ca."

Pre­vi­ous work­shop fa­cil­i­ta­tors in­clude Trinidad born, in­ter­na­tion­al­ly ac­claimed bassist David "Hap­py" Williams; steel pan vir­tu­oso Robert Greenidge; vet­er­an drum­mer Louis Hayes and US jazz vi­bra­phon­ist Joe Baione.

"Each lead fa­cil­i­ta­tor is an in­ter­na­tion­al pro­fes­sion­al per­former and teacher who brings a dif­fer­ent ex­pres­sive style and de­vel­op­ment fo­cus to the work­shops," said Mor­timer Bap­tiste, of the Fes­ti­val's pro­duc­tion team.

"Our ex­pec­ta­tion is that many of the par­tic­i­pants will be in­flu­enced to pur­sue ex­cel­lence in their cho­sen mu­si­cal medi­um–voice, horn, per­cus­sion etc–and to de­vel­op an ap­pre­ci­a­tion of jazz and oth­er gen­res that are lit­tle ex­posed by main­stream me­dia."

Lo­cal pan tal­ent Natasha Joseph, who arranges for To­ba­go's Carib Dix­ieland Steel­band, will as­sist Led­bet­ter and Bar� with this year's work­shops.Last Sep­tem­ber she was a spe­cial guest per­former at Fall In­to Jazz: Kim Wa­ters in Con­cert at the im­pres­sive Schwartz Cen­tre for the Arts in Delaware, USA. Joseph al­so led a work­shop for more than 350 stu­dents.


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