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Thursday, July 3, 2025

Historic Caribbean student demonstration now on film

by

20140326

Caribbean peo­ple have changed his­to­ry: some of them were Trinida­di­an Hen­ry Sylvester-Williams, who host­ed the First Pan-African Con­fer­ence in Lon­don in 1900; Ja­maican Mar­cus Gar­vey, who start­ed the Black Star Line in the US in 1919; and Trinida­di­an Kwame Ture, a leader of SNCC and Black Pan­thers in the mid-20th cen­tu­ry US Civ­il Rights move­ment.One group of Caribbean peo­ple who has al­so made his­to­ry is the West In­di­an stu­dents who took over the com­put­er lab of Sir George Williams Uni­ver­si­ty in Mon­tre­al, Que­bec, Cana­da, in 1969. (The uni­ver­si­ty is now part of Con­cor­dia Uni­ver­si­ty.)Re­ferred to as The Com­put­er Ri­ot or the Sir George Williams Af­fair, it changed not on­ly the uni­ver­si­ty–which would make im­por­tant stu­dent-cen­tred re­forms af­ter­wards–but al­so its par­tic­i­pants, who went on to in­flu­ence rev­o­lu­tion­ary events in the Caribbean as well.Trinidad-born film­mak­er Sel­wyn Ja­cob is now doc­u­ment­ing the his­toric event a re­lease from the T&T Film Com­pa­ny said. A pro­duc­er with the Cana­di­an Film Board, Ja­cob was in Trinidad in Feb­ru­ary and March to shoot footage for the doc­u­men­tary fea­ture The Ninth Floor.

In an in­ter­view on March 10, Ja­cob said he had long want­ed to make a film on the dra­mat­ic event. He said that as a young man, he promised him­self, "If I ever did make it to film school... I'd like to tell this sto­ry. It was a bit of am­biva­lence for me. I wasn't the ag­gres­sive type of stu­dent. I won­dered if I were in that po­si­tion what I would have done."The in­ci­dent, var­i­ous­ly re­ferred to by his­tor­i­cal and jour­nal­is­tic sources as a ri­ot or as a protest, had its roots in 1968 when six West In­di­an stu­dents protest­ed al­leged­ly racist grad­ing by one of the uni­ver­si­ty's lec­tur­ers. School ad­min­is­tra­tion didn't re­spond in a way black stu­dents found re­as­sur­ing. On Jan­u­ary 29, 1969, some 400 black stu­dents oc­cu­pied the school's com­put­er lab on the ninth floor of the Hen­ry F Hall Build­ing to protest the school's po­si­tion.

It was the largest school oc­cu­pa­tion in Cana­di­an his­to­ry, ac­cord­ing to Con­cor­dia's stu­dent news­pa­per, The Link.By the end of the protest, which last­ed un­til Feb­ru­ary 11, com­put­er equip­ment had been thrown out the win­dow, the lab had been set on fire and the school re­port­ed dam­age to the tune of CAN$3 mil­lion, The Link says. Ac­cord­ing to a Wikipedia ar­ti­cle, the pro­test­ers said the po­lice set the fire and po­lice blamed the pro­test­ers.Dur­ing his trip home, Ja­cob filmed in­ter­views with sur­viv­ing pro­test­ers liv­ing in Trinidad. His was one of near­ly two dozen film shoots fa­cil­i­tat­ed by the T&T Film Com­pa­ny (TTFC) in the past five months.In an in­ter­view, Ja­cob said about the Sir George Williams Af­fair, "It was an in­ci­dent that split peo­ple along racial lines and with­in groups. Why would they dam­age the peo­ple's com­put­ers? In a nut­shell, that has been some­thing that has been with me for my en­tire life."

Ac­cord­ing to the re­lease from the TTFC, while Ja­cob was in Trinidad, he and Cana­di­an di­rec­tor Mi­na Shum in­ter­viewed artist and au­thor Va­lerie Bel­grave who had been one of those bar­ri­cad­ed in the com­put­er lab along with her late ex-hus­band Ian "Ted­dy" Bel­grave.They al­so in­ter­viewed pro­test­ers Lynn Mur­ray and Ter­rance Bal­lan­tyne, and Mark Chang, who was then the pres­i­dent of the West In­di­an Stu­dents So­ci­ety at the uni­ver­si­ty.Ad­di­tion­al­ly, they in­ter­viewed two peo­ple who had not been in the protest it­self: Hugo Ford, one of the orig­i­nal six stu­dents whose com­plaint led to the ri­ot, and Buk­ka Ren­nie, a stu­dent there at the time."The event trig­gered the rev­o­lu­tion­ary move­ment in the Caribbean, in terms of when peo­ple start­ed think­ing of na­tion­al pride," Ja­cob said. "That na­tion­al­ism sort of fil­tered in­to the Black Pow­er move­ment–a sense of black pride, na­tion­al­i­ty and in­de­pen­dence." He said it al­so might have con­tributed to the Grena­da Rev­o­lu­tion, which be­gan on March 13, 1979.Hav­ing al­ready filmed for three weeks in Mon­tre­al, Ja­cob and his team came to Trinidad to scout in Feb­ru­ary, and then filmed for nine days. "We've got the bulk of the film in the can and I'd think we'd spend about eight or nine months in edit­ing," he said.


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