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Tuesday, April 8, 2025

Colonial gems in T&T

by

20140119

Pho­tog­ra­phy cap­tures a mo­ment in time. These build­ings in your com­mu­ni­ties cap­ture a mo­ment of his­to­ry.One nei­ther has to be an ar­chi­tect or his­to­ri­an to ap­pre­ci­ate the beau­ty of these colo­nial struc­tures or their his­toric im­por­tance, and while some may view these as re­minders of an im­pe­r­i­al age that should be done away with, to me these struc­tures, for good or bad, are the back­bone of our his­toric and so­cial de­vel­op­ment, each telling its own sto­ry.

Trinidad's sig­na­ture ar­chi­tec­tur­al style is that of the gin­ger­bread house–del­i­cate wood­en fil­i­gree, jalousie win­dows, peaked roofs, dorm­ers, and a wel­com­ing gallery.There was no cor­ner of the is­land where gin­ger­bread style could not be found, since it adapt­ed equal­ly well to the state­ly man­sions of the planters and mer­chants as it did to the hum­ble cot­tages of labour­ers and trades­men.George Brown, a Scot­tish ar­chi­tect who came to Trinidad in 1880 was the ge­nius be­hind this move­ment.

Brown pi­o­neered a sys­tem of mass man­u­fac­tur­ing the el­e­ments of the gin­ger­bread ar­chi­tec­ture, and he drew on in­spi­ra­tions from French and Eng­lish schools of thought.These gems he cre­at­ed are syn­ony­mous with our na­tion­al iden­ti­ty, yet they are rapid­ly dis­ap­pear­ing from the land­scape.They re­mind us of a sim­pler and more idyl­lic time when fam­i­ly, co­mu­ni­ty and dig­ni­ty were ideals to be cher­ished.

WOOD­BROOK

Orig­i­nal­ly a sug­ar es­tate found­ed in 1786, Wood­brook was laid out in cheap hous­ing lots around 1899 and be­came a re­spectable sub­urb for a new mid­dle class that was emerg­ing. Those who be­longed to this group strove to em­u­late the fin­er graces of the rul­ing elite, and this re­flect­ed in the quaint hous­es, which though small in size, of­ten ex­hib­it­ed the neat el­e­gance of the gin­ger­bread style to full ef­fect. Wood­brook is now the pre­miere lim­ing spot for Tri­nis, but it re­mains a liv­ing mu­se­um of ar­chi­tec­ture as well.

BEL­MONT

Like Wood­brook but from an ear­li­er era, Bel­mont grew out of a dis­trict of colo­nial plan­ta­tions to be­come a mid­dle-class bed­room set­tle­ment of Port-of-Spain in the mid to late 1800s.It was dis­tin­guished by a strong sense of com­mu­ni­ty spir­it and its own unique iden­ti­ty where the need for colo­nial re­spectabil­i­ty was mixed with pow­er­ful West African tra­di­tions that per­se­vered in the up­per reach­es of the val­ley.

Many of Bel­mont's beau­ti­ful old homes have sur­vived in re­mark­ably good con­di­tion, which is a state of be­ing that will en­dure since the res­i­dents of the area are keen on preser­va­tion of their her­itage.

WRIGHT­SON ROAD

This busy thor­ough­fare which be­came a dual car­riage­way to Co­corite in the 1930s un­der a young en­gi­neer named Ran­jit Ku­mar, once end­ed just past the Cap­i­tal Plaza Ho­tel's cur­rent lo­ca­tion.There was a beach here with a small, unique vil­lage called Cor­beaux Town, be­cause of the pres­ence of black vul­tures that con­gre­gat­ed when the fish­ing boats came in. By the 1920s the for­mer fish­ing com­mu­ni­ty had be­come a mid­dle-class neigh­bour­hood, ex­hibit­ing some very fine ex­am­ples of colo­nial ar­chi­tec­ture, some of which still sur­vive.

The pic­turesque Cor­beaux Town of old, how­ev­er, was a source of in­spi­ra­tion for many great artists in­clud­ing Michel Jean Caz­abon (1813-88) and Jack­ie Hink­son, who grew up here in one of those old hous­es.

BOOS HOUSE

In 1873 Karl Boos ar­rived from Ger­many to take up a clerk­ship in a firm owned by his coun­try­men in Port-of-Spain. Just a dozen years lat­er, through hard work and sac­ri­fice, he ac­quired own­er­ship of J N Har­ri­man and Co, where he had moved as a man­ag­er and which still sur­vives as one of the old­est busi­ness­es in the is­land.

Cipri­ani Boule­vard was just a broad grav­elled road laid out on Tran­quil­li­ty Land when Karl erect­ed his spa­cious and dig­ni­fied res­i­dence, which was to re­main in his fam­i­ly for four gen­er­a­tions un­til it was sold and be­came the fa­mous lim­ing and din­ing spot, Jen­ny's on the Boule­vard.Karl's grand­daugh­ter, Ol­ga Mavro­gorda­to was a his­to­ri­an and was in­stru­men­tal in pre­serv­ing much of our her­itage which might have been lost.


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