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Thursday, April 10, 2025

Exodus wins injunction against Pan Trinbago

Yes to Kees' Savannah Grass

by

Joel Julien
2238 days ago
20190222
Exodus Steel Orchestra Manager Ainsworth Mohammedis, left, and his Attorney Masaisai leave the Hall of Justice after they won their injunction last night.

Exodus Steel Orchestra Manager Ainsworth Mohammedis, left, and his Attorney Masaisai leave the Hall of Justice after they won their injunction last night.

ANISTO ALVES

Re­pub­lic Bank Ex­o­dus will be al­lowed to play Kees Di­ef­fen­thaller’s Sa­van­nah Grass for the up­com­ing Panora­ma fi­nal, Jus­tice Kevin Ram­cha­ran has ruled.

Ram­cha­ran gave the de­ci­sion late last night dur­ing an emer­gency sit­ting of the High Court af­ter the at­tor­neys for Ex­o­dus filed an in­junc­tion against Pan Trin­ba­go ear­li­er in the day.

The de­ci­sion came at the same time Re­pub­lic Bank was host­ing a lime at the Tu­na­puna pa­n­yard of the four-time Panora­ma cham­pi­ons.

Ex­o­dus’ man­ag­er Ainsworth Mo­hammed said the de­ci­sion would have made last night’s lime “a lit­tle brighter” on the steps of the Hall of Jus­tice around 9 pm, mo­ments af­ter Ram­cha­ran had read out his judge­ment.

“We are ac­tu­al­ly very re­lieved but I must ad­mit I felt it was a sad day and a sad week for pan and the steel­band move­ment and we don’t gloat in that kind of thing. We don’t gloat in vic­to­ries like this. We would like to see the steel­band move­ment move for­ward with strength and that is the most im­por­tant thing for us,” Mo­hammed said.

“We al­ways knew that it was our right, priv­i­lege, what­ev­er you want to call it, to change the song, the rules nev­er pre­clud­ed it, there was prece­dence for it. If it was such an im­por­tant ma­te­r­i­al part of the rules it should have been in­clud­ed in the rules that you are al­lowed to change or you are not al­lowed to change, that’s the way I see it.”

The Pan Trin­ba­go rules are silent on the is­sue.

Se­nior Coun­sel El­ton Prescott led the five-mem­ber Ex­o­dus team which in­clud­ed at­tor­ney Farai Ma­sai­sai.

“The ba­sis of the ar­gu­ments was re­al­ly fair­ness. Fair­ness and nat­ur­al jus­tice. When you make a de­ci­sion as an or­gan­i­sa­tion, it is im­por­tant that you con­sult your mem­bers and that is what the judge said,” Ma­sai­sai said af­ter­wards.

“The ba­sis of the judge­ment was that when you change your rules, con­sult your mem­bers. And even if they want to change it for 2020 they ought to con­sult the band mem­bers.”

Ex­o­dus had pre­vi­ous­ly played Austin “Su­per Blue” Lyons’ Rag Storm for the pre­lim­i­nary and semi­fi­nal of this year’s Panora­ma com­pe­ti­tion. The band placed sec­ond to last af­ter the semi­fi­nal with 265 points, 14 points be­hind cur­rent lead­ers and de­fend­ing cham­pi­ons bpTT Rene­gades.

Mo­hammed said arranger Pel­ham God­dard has so far com­plet­ed three min­utes of the arrange­ment so far. An arrange­ment for the fi­nal is eight min­utes long.

“It’s not ful­ly arranged yet. We are about three min­utes there but we are go­ing to be there over the week­end. We will work all night to­mor­row and all day Sun­day and by the end of Sun­day I am sure we will be near to sev­en min­utes,” he said.

Pan Trin­ba­go pres­i­dent Bev­er­ly Ram­sey-Moore was ab­sent from last night’s hear­ing as she was at the THA Pan Champs fi­nals in To­ba­go. Pan Trin­ba­go vice pres­i­dent Car­lan Hare­wood, trea­sur­er Ger­ard Mendez and ex­ter­nal re­la­tions of­fi­cer Dane Gul­ston ap­peared on be­half of the ex­ec­u­tive. At­tor­ney Christlyn Moore rep­re­sent­ed Pan Trin­ba­go.

Con­tact­ed last night, Ram­sey-Moore said Pan Trin­ba­go would abide by the de­ci­sion.

On Tues­day Ex­o­dus’ man­age­ment de­cid­ed to change the band’s tune of choice. How­ev­er, on Wednes­day Pan Trin­ba­go barred the move af­ter a unan­i­mous vote by the ex­ec­u­tive dur­ing an emer­gency meet­ing to dis­cuss the sit­u­a­tion.

On Thurs­day, Ex­o­dus sent a pre-ac­tion pro­to­col let­ter to Pan Trin­ba­go say­ing the de­ci­sion to bar the song was “ar­bi­trary and not rea­son­able” as there was no rule stat­ing ex­plic­it­ly that a band was al­lowed or pre­vent­ed from chang­ing its tune of choice.

Pan Trin­ba­go re­spond­ed to the pre-ac­tion pro­to­col let­ter yes­ter­day say­ing the or­gan­i­sa­tion gave care­ful con­sid­er­a­tion to 13 mat­ters be­fore it and ar­rived at its de­ci­sion.

While Ex­o­dus cit­ed So­lo Har­monites chang­ing its Panora­ma tune of choice on two oc­ca­sions, first­ly in 1973 and then in 1983, Pan Trin­ba­go said the or­gan­i­sa­tion was on­ly es­tab­lished in 1986 and there­fore there was no prece­dent.

Ram­cha­ran heard the mat­ter at 5 pm yes­ter­day be­fore he called the par­ties back to give a de­ci­sion at 8.39 pm.

Pan Trin­ba­go's 13 points for deny­ing Ex­o­dus re­quest:

1. The pos­si­ble ef­fect of such a change if per­mit­ted on all oth­er bands in your client's cat­e­go­ry, who could view this change as an un­fair ad­van­tage be­ing met­ed out to your client.

2. The emerg­ing pub­lic sup­port as well as pub­lic con­dem­na­tion as in­di­cat­ed on so­cial me­dia at your client's telegraphed in­ten­tion to change its tune of choice.

3. The pos­si­ble con­se­quent threats from these bands to launch a Panora­ma strike there­by putting the en­tire com­pe­ti­tion in jeop­ardy.

4. The pos­si­bil­i­ty of Pan Trin­ba­go Inc. be­ing faced with mul­ti­ple law­suits from oth­er bands in your cat­e­go­ry be­cause of a per­ceived ad­van­tage be­ing met­ed out to your client in the al­low­ing of the change of tune at this stage or at all.

5. The ad­min­is­tra­tive chaos that would en­sue if Pan Trin­ba­go Inc. were to face mul­ti­ple law­suits on the eve of the Panora­ma fi­nals, any or all of which Pan Trin­ba­go would not be in a fi­nan­cial po­si­tion to lit­i­gate and which le­gal bur­den would have a knock-on ef­fect on its abil­i­ty to pay prize monies on time.

6. The pos­si­bil­i­ty that the un­cer­tain­ty around whether bands would boy­cott the com­pe­ti­tion would lead to a con­se­quen­tial drop in pa­tron turnout, in­ter­est and rev­enues.

7. The loss of con­fi­dence in Pan Trin­ba­go Inc. as a com­pe­tent ad­min­is­tra­tive body and in the in­tegri­ty of the ad­ju­di­ca­tion of the com­pe­ti­tion should your change in the tune of choice re­sult in your client ei­ther plac­ing high­er or low­er than it cur­rent rank­ings in the com­pe­ti­tion.

8. The ef­fect of such a de­ci­sion on the morale of play­ers in oth­er bands, both pos­i­tive and neg­a­tive.

9. The ef­fect of such a de­ci­sion on the pa­trons to the Panora­ma Fi­nals and the com­mu­ni­ty of steel­band sup­port­ers.

10. That there was no sim­i­lar ap­pli­ca­tion from any band in the his­to­ry of Pan Trin­ba­go Inc.'s man­age­ment of the com­pe­ti­tion since its in­cor­po­ra­tion in 1986.

11. Nor had any oth­er mem­ber bands raised ei­ther pri­or to or dur­ing the 2019 com­pe­ti­tion or at any time, their need for clar­i­ty on this rule or their de­sire to be able to change their tune of choice af­ter the com­mence­ment of the com­pe­ti­tion;

12. The en­tire struc­ture of the judg­ing which is in part pred­i­cat­ed on the as­sump­tion that the same song with be played by a com­peti­tor at all stages of the com­pe­ti­tion.

13. The skill and com­pe­tence of arrangers who with the guid­ance of the ad­ju­di­ca­tors com­ments, re-tai­lor their arrange­ments to suit.


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