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Sunday, April 6, 2025

Decision 2010- political history on stage

by

4 days ago
20250402

Few mem­bers of the Queen’s Hall au­di­ence of March 23 would ar­gue too heav­i­ly against the view that there was per­haps more dou­ble en­ten­dre and clever po­lit­i­cal satire in the dra­mat­ic read­ing of There­sa Awai’s De­ci­sion 2010 than en­coun­tered through­out this year’s ca­lyp­so sea­son.

Di­rect­ed by Wen­dell Man­war­ren, with sup­port from a team of ac­com­plished drama­tists, the read­ing chal­lenged knowl­edge of the na­tion­al po­lit­i­cal records span­ning a pe­ri­od pre­ced­ing this coun­try’s his­to­ry-mak­ing, ad­min­is­tra­tion chang­ing polls of 2010.

Who, for ex­am­ple, re­calls the 2001 Crowne Plaza Ac­cord – men­tioned en pas­sant in the read­ing as the “Plaza Ac­cord?” Al­so, who in fact was “Bill”? Hmm.

A less knowl­edge­able as­sem­blage would have missed near half the ab­sur­dist ref­er­ences to past po­lit­i­cal shenani­gans and not tidi­ly cross-ref­er­enced them against more re­cent fare. In a sense, though, the tim­ing was per­fect.

The script al­so be­trayed last-minute ad­just­ments that drew po­lite chuck­les to mul­ti­ple “Chi­nese” ref­er­ences. The of­ten-un­in­tel­li­gi­ble chat­ter of the cast, while off cen­tre-stage, was per­haps al­so meant to mir­ror on­go­ing po­lit­i­cal nar­ra­tives in the me­dia and oth­er pub­lic plat­forms.

This was a ren­di­tion of Awai’s splen­did work that could well have been served as a co­her­ent and com­plete main course. It is quite con­ceiv­able that some tight­en­ing here and there will oc­cur and the in­ser­tion of bits to aid the un­in­formed will find their way in­to a de­fin­i­tive ver­sion, but this is high qual­i­ty play­writ­ing.

It helped that cast mem­bers such as Kearn Samuel, play­ing Patos Manos, Arnold Goind­han as Mr Fox, and Deb­o­rah Bou­caud-Ma­son play­ing the twin roles of Gwen and the Court Of­fi­cer clear­ly adopt­ed the script as their own.

Cindy F Daniel, as The Prophet­ess and De­fence At­tor­ney, laid firm claim to the role of The Prophet­ess—whose re­la­tion­ship with Patos Manos in the play ap­pears to span sev­er­al di­men­sions. Dit­to out­stand­ing play­er, Kur­tis Gross, who flaw­less­ly de­liv­ered the Gri­ot’s lines along­side stage vet­er­an Er­rol Blood Roberts (Mr Dook­ie) and rel­a­tive new­com­er, Kevon Brooks who played the Judge.

Nar­ra­tor, Rachel Bas­combe kept things flow­ing from act to act. Oth­er mem­bers of the cast in­clud­ed vet­er­an Er­ic Bar­ry, play­ing the Se­cu­ri­ty Guard and Ghost, jour­nal­ist/play­wright, Julien Neaves as the oth­er Se­cu­ri­ty Guard and Ghost and Trevon Jug­mo­han who was Bill.

Rather hi­lar­i­ous­ly, the dis­claimer on the evening’s pro­gramme read, “This play is a work of fic­tion. Any re­sem­blance to ac­tu­al per­sons, liv­ing or dead, or ac­tu­al events is pure­ly co­in­ci­den­tal.” Don’t there­fore ex­pect any guest ap­pear­ances from the Po­lit­i­cal Cor­rect­ness Squad!

Through De­ci­sion 2010, Awai has brought us thick slices of po­lit­i­cal his­to­ry served with hot, sweet, and bit­ter sauces fresh from an oven fu­elled by in­trigue, bac­cha­nal, and about every­thing else the prac­tice of pol­i­tics rou­tine­ly of­fers in T&T.

Who can wait for fi­nal pro­duc­tion on the big stage?


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