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Monday, April 7, 2025

Calls for icons to be honoured as Sparrow turns 89

by

Soyini Grey
270 days ago
20240711
FILE: The Mighty Sparrow

FILE: The Mighty Sparrow

FILE

As the Ca­lyp­so King of the World cel­e­brat­ed his 89th birth­day on Tues­day, there were calls for the Na­tion­al Cul­tur­al Recog­ni­tion Pol­i­cy to be im­ple­ment­ed so that des­ig­nat­ed icons can re­ceive their flow­ers while still alive.

Born in Grand Roy, Grena­da, but Tri­ni to the bone, Dr Slinger Fran­cis­co, al­so known as The Mighty Spar­row or The Birdie, now lives in the Unit­ed States. This was some­thing his birth­day twin, CNC3 sports an­chor Gyasi Mer­rique, ref­er­enced when asked how our great­est ca­lyp­son­ian should be recog­nised.

“It would have been nice if he was able to re­side here so that the ap­pear­ances would have been more fre­quent,” he said.

In 1987 Spar­row re­ceived an hon­orary doc­tor­ate of let­ters from The Uni­ver­si­ty of the West In­dies. There is a stat­ue of him at the cen­tre of the St Ann’s Round­about and in 2015, the late Prof Gor­don Rohlehr, who wrote about him ex­ten­sive­ly, pub­lished what he de­scribed as “a sam­ple of my con­tem­pla­tion of the ca­reer of one of the re­gion’s pre­mier and most cel­e­brat­ed artists,” in a book en­ti­tled My Whole Life is Ca­lyp­so. He won the Road March and the Ca­lyp­so Monarch eight times and the Queen made him an Of­fi­cer of the Most Ex­cel­lent Or­der of the British Em­pire. He has been recog­nised, but as he ap­proach­es his 90s, ill-health might be pre­vent­ing him from mak­ing Spar­row’s Hide­away his home.

In 2020, The Na­tion­al Cul­tur­al Recog­ni­tion Pol­i­cy was laid as a white pa­per in Par­lia­ment by then-cul­ture min­is­ter Dr Nyan Gads­by-Dol­ly. It pro­posed the nam­ing of cul­tur­al am­bas­sadors who would re­ceive a diplo­mat­ic pass­port and a cash ben­e­fit of $250,000.

Writer and Cul­tur­al Crit­ic Nigel Camp­bell said im­ple­men­ta­tion was over­due.

“He (Spar­row) and (Ca­lyp­so) Rose should im­me­di­ate­ly be called icons and ef­fec­tive­ly the State should take care of what­ev­er their needs are un­til they pass away,” Camp­bell said.

Re­gard­less, Camp­bell said, Spar­row’s lega­cy was se­cure, that as a per­former his voice was un­matched, es­pe­cial­ly since ca­lyp­so was a genre where not be­ing a great singer was no bar­ri­er to suc­cess.

“He ac­tu­al­ly sang on pitch,” Camp­bell said.

The Uni­ver­si­ty of Trinidad and To­ba­go’s Dr Kris­son Joseph agreed. The pro­gramme co­or­di­na­tor at the uni­ver­si­ty’s Acad­e­my of Arts, Let­ters, Cul­ture and Pub­lic Af­fairs called the vet­er­an ca­lyp­son­ian “the great­est to ever do it.”

Joseph said Spar­row made singing seem easy.

In terms of his best songs, peo­ple have their favourites. Mer­rique called Ed­u­ca­tion and Mae Mae. There may be video ev­i­dence of him per­form­ing the lat­ter for an on­line com­pe­ti­tion. Camp­bell named How Yuh Jam­ming So? and Joseph cit­ed Good Cit­i­zen as a song that en­dures. Spar­row’s sig­na­ture song Jean and Di­nah, how­ev­er, was hailed by Joseph as one of the more im­por­tant ca­lyp­soes of the mod­ern era.


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