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Friday, October 10, 2025

Hunger Games actor Donald Sutherland dies at 88

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477 days ago
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FILE - Actor Donald Sutherland appears at the Academy of Motion Picture Arts and Sciences in Beverly Hills, Calif., on Oct. 13, 2017. Sutherland, the towering Canadian actor whose career spanned "M.A.S.H." to "The Hunger Games," has died at 88. (Photo by Chris Pizzello/Invision/AP, File)

FILE - Actor Donald Sutherland appears at the Academy of Motion Picture Arts and Sciences in Beverly Hills, Calif., on Oct. 13, 2017. Sutherland, the towering Canadian actor whose career spanned "M.A.S.H." to "The Hunger Games," has died at 88. (Photo by Chris Pizzello/Invision/AP, File)

Don­ald Suther­land, the pro­lif­ic film and tele­vi­sion ac­tor whose long ca­reer stretched from “M.A.S.H.” to “The Hunger Games,” has died. He was 88.

Kiefer Suther­land, the ac­tor’s son, con­firmed his fa­ther’s death Thurs­day. No fur­ther de­tails were im­me­di­ate­ly avail­able.

“I per­son­al­ly think one of the most im­por­tant ac­tors in the his­to­ry of film,” Kiefer Suther­land said on X. “Nev­er daunt­ed by a role, good, bad or ug­ly. He loved what he did and did what he loved, and one can nev­er ask for more than that.”

The tall and gaunt Cana­di­an ac­tor with a grin that could be sweet or di­a­bol­i­cal was known for off­beat char­ac­ters like Hawk­eye Pierce in Robert Alt­man’s “M.A.S.H.,” the hip­pie tank com­man­der in “Kel­ly’s He­roes” and the stoned pro­fes­sor in “An­i­mal House.”

Be­fore tran­si­tion­ing in­to a long ca­reer as a re­spect­ed char­ac­ter ac­tor, Suther­land epit­o­mized the un­pre­dictable, an­ti-es­tab­lish­ment cin­e­ma of the 1970s .

Over the decades, Suther­land showed his range in more but­toned-down — but still ec­cen­tric — parts in Robert Red­ford’s “Or­di­nary Peo­ple” and Oliv­er Stone’s “JFK.” More, re­cent­ly, he starred in the “Hunger Games” films. He nev­er re­tired, work­ing reg­u­lar­ly up un­til his death. A mem­oir, “Made Up, But Still True,” was due out in No­vem­ber.

“I love to work. I pas­sion­ate­ly love to work,” Suther­land told Char­lie Rose in 1998. “I love to feel my hand fit in­to the glove of some oth­er char­ac­ter. I feel a huge free­dom — time stops for me. I’m not as crazy as I used to be, but I’m still a lit­tle crazy.”

Born in St. John, New Brunswick, Don­ald Mc­Ni­chol Suther­land was the son of a sales­man and a math­e­mat­ics teacher. Raised in No­va Sco­tia, he was a disc jock­ey with his own ra­dio sta­tion at the age of 14.

“When I was 13 or 14, I re­al­ly thought every­thing I felt was wrong and dan­ger­ous, and that God was go­ing to kill me for it,” Suther­land told The New York Times in 1981. “My fa­ther al­ways said, ‘Keep your mouth shut, Don­nie, and maybe peo­ple will think you have char­ac­ter.’”

Suther­land be­gan as an en­gi­neer­ing stu­dent at the Uni­ver­si­ty of Toron­to but switched to Eng­lish and start­ed act­ing in school the­atri­cal pro­duc­tions. While study­ing in Toron­to, he met Lois Hard­wick, an as­pir­ing ac­tress. They mar­ried in 1959, but di­vorced sev­en years lat­er.

Af­ter grad­u­at­ing in 1956, Suther­land at­tend­ed the Lon­don Acad­e­my of Mu­sic and Dra­mat­ic Arts to study act­ing. Suther­land be­gan ap­pear­ing in West End plays and British tele­vi­sion. Af­ter a move to Los An­ge­les, he con­tin­ued to bounce around un­til a se­ries of war films changed his tra­jec­to­ry.

His first Amer­i­can film was “The Dirty Dozen” (1967), in which he played Ver­non Pink­ley, the of­fi­cer-im­per­son­at­ing psy­cho­path­ic. 1970 saw the re­lease of both the World War II yarn “Kel­ly’s He­roes” and “M.A.S.H.,” an ac­claimed smash hit that cat­a­pult­ed Suther­land to star­dom.

“There is more chal­lenge in char­ac­ter roles,” Suther­land told The Wash­ing­ton Post in 1970. “There’s longevi­ty. A good char­ac­ter ac­tor can show a dif­fer­ent face in every film and not bore the pub­lic.”

If Suther­land had had his way, Alt­man would have been fired from “M.A.S.H.” He and co-star El­liott Gould were un­hap­py with the di­rec­tor’s un­ortho­dox, im­pro­vi­sa­tion­al style and fought to have him re­placed. But the film caught on be­yond any­one’s ex­pec­ta­tions and Suther­land iden­ti­fied per­son­al­ly with its an­ti-war mes­sage. Out­spo­ken against the Viet­nam War, Suther­land, ac­tress Jane Fon­da and oth­ers found­ed the Free The­ater As­so­ciates in 1971. Banned by the Army be­cause of their po­lit­i­cal views, they per­formed in venues near mil­i­tary bases in South­east Asia in 1973.

Suther­land ca­reer as a lead­ing man peaked in the 1970s, when he starred in films by the era’s top di­rec­tors — even if they didn’t al­ways do their best work with him. Suther­land, who fre­quent­ly said he con­sid­ered him­self at the ser­vice of a di­rec­tor’s vi­sion, worked with Fed­eri­co Felli­ni (1976’s “Felli­ni’s Casano­va”), Bernar­do Bertoluc­ci (1976’s “1900"), Claude Chabrol (1978’s “Blood Rel­a­tives”) and John Schlesinger (1975’s “The Day of the Lo­cust”).

One of his finest per­for­mances came as a de­tec­tive in Alan Paku­la’s “Klute” (1971). It was dur­ing film­ing on “Klute” that he met Fon­da, with whom he had a three-year-long re­la­tion­ship that be­gan at the end of his sec­ond mar­riage to ac­tor Shirley Dou­glas. Hav­ing been mar­ried in 1966, he and Dou­glas di­vorced in 1971.

Suther­land had twins with Dou­glas in 1966: Rachel and Kiefer, who was named af­ter War­ren Kiefer, the writer of Suther­land’s first film, “Cas­tle of the Liv­ing Dead.”

In 1974, the ac­tor be­gan liv­ing with ac­tress Francine Racette, with whom he re­mained ever af­ter. They had three chil­dren: Roeg, born in 1974 and named af­ter the di­rec­tor Nico­las Roeg (“Don’t Look Now”); Rossif, born in 1978 and named af­ter the di­rec­tor Fred­er­ick Rossif; and An­gus Red­ford, born in 1979 and named af­ter Robert Red­ford.

It was Red­ford who, to the sur­prise of some, cast Suther­land as the fa­ther in his di­rec­to­r­i­al de­but, 1980’s “Or­di­nary Peo­ple.” Red­ford’s dra­ma about a hand­some sub­ur­ban fam­i­ly de­stroyed by tragedy won four Os­cars, in­clud­ing best pic­ture.

Suther­land was over­looked by the acad­e­my through­out most of his ca­reer. He was nev­er nom­i­nat­ed but was pre­sent­ed with an hon­orary Os­car in 2017. He did, though, win an Em­my in 1995 for the TV film “Cit­i­zen X” and was nom­i­nat­ed for sev­en Gold­en Globes (in­clud­ing for his per­for­mances in “M.A.S.H.” and “Or­di­nary Peo­ple”), win­ning two — again for “Cit­i­zen X” and for the 2003 TV film “Path to War.”

“Or­di­nary Peo­ple” al­so pre­saged a shift in Suther­land’s ca­reer to­ward more ma­ture and some­times less off­beat char­ac­ters.

His New York stage de­but in 1981, though, went ter­ri­bly. He played Hum­bert Hum­bert in Ed­ward Al­bee’s adap­ta­tion of Vladimir Nabokov’s “Loli­ta,” and the re­views were mer­ci­less; it closed af­ter a dozen per­for­mances.

A down pe­ri­od in the ‘80s fol­lowed, thanks to fail­ures like the 1981 satire “Gas” and the 1984 com­e­dy “Crack­ers.”

But Suther­land con­tin­ued to work steadi­ly. He had a brief but mem­o­rable role in Oliv­er Stone’s “JFK” (1991). He again played a pa­tri­arch for Red­ford in his 1993 movie “Six De­grees of Sep­a­ra­tion.” He played track coach Bill Bow­er­man in 1998’s “With­out Lim­its.”

In the last decade, Suther­land in­creas­ing­ly worked in tele­vi­sion, most mem­o­rably in HBO’s “Path to War,” in which he played Pres­i­dent Lyn­don John­son’s Sec­re­tary of De­fense Clark Clif­ford. For a ca­reer launched by “M.A.S.H.” it was a fit­ting, if iron­ic book­end.

NEW YORK (AP) —

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