In a radio interview last Friday, Machel Montano said he was instructed to keep his Machel Monday Soca Kingdom presentation to three hours.
“You know that is hard to do,” he laughed.
On Monday night, which heralded the countdown to the greatest show on earth, Montano kept a tight entertaining show which finished just around 2 am, an early finish in comparison to his previous concerts.
The appearance of Bunji Garlin’s during Buss Head was surprise #1; his wife Fay Ann’s performance of her Road March hits— another surprise; and Patrice Robert’s all-out, robust performance were the highlights of this year’s edition of the Monday night affair.
The pre-show performance by chutney soca band Karma, featured Ravi B, Michelle B and one part of the Chutney Soca Monarch 2018 royalty Nishard M.
The repertoire was a mix of well-known Ravi B hits such as this year’s Police, as well as Budget, Bread and Ah Drinker which segued into a Nishad’s medley of Bajan invasion hits such as Nah Going Home, Insomnia and Pump Me Up. They also offered timeless soca which included Toby Prescott’s All Aboard; Byron Lee’s Tiny Winey; Arrow’s Long Time and Tambu’s Free Up.
Exactly at 10 pm curtains to the Soca Kingdom were drawn with the entrance of the presentation Death and the Maiden designed by mas legend Peter Minshall accompanied by Republic Bank Exodus’ off stage performance of Bach’s Toccata and Fugue in D minor.
This was followed by the masqueraders of the Minshall and Exodus’ Carnival production The Eyes of God. They played a major part of the concert’s décor during evening-into-morning performances.
Under the first wave of sailors with huge flags dotted with eyes, Montano appeared with SuperBlue singing the road march contender. He continued the hype with Waiting on De Stage, Bumper, Ministry of Road, Showtime. “TT is the kingdom of wining,” he said as he introduced his frontline dancers from Trinidad, Slovakia and Barbados.
Caribbean heavy roller, St Vincent’s Skinny Fabulous was the first of many performers to hold a mini-concert on stage performing Push Back on the Pim Pim Riddim, Party Start and joining the Bajan Marzville with Give It to Ya.
The next generation of song writers and performers also held court. “This is the Soca Kingdom of the World. This used to be Machel Monday but the Kingdom must progress…The future is in the next generation…the most talented are ready to succeed in the Kingdom,” Montano said as he introduced Preedy, Nailah Blackman, Turner and Erphaan Alves. Winners of the Digicel Music Academy, Abdiel Matamora from Trinidad and Tobago and duo, Tyler Auguste and Jean Farrah aka Lu City, from St. Lucia received their baptism of fire performing before the large audience.
Reigning International Soca Monarch Voice, whom Montano proclaimed as the Prince of the Kingdom, performed Cheers to Life, Far From Finished, his duet with Marge Blackman Full of Vibes and Fire Go Bun Dem. His vocals were at a familiar pitch, recovering from his debut at Calypso Fiesta on Saturday.
Nishard M returned to the stage to perform with Neval Chatelal, demonstrating why they won the Chutney Soca Monarch title a week ago and highlighting Minshall’s proverb “One People, all ah we is one, we are all created in the eyes of God.”
Garlin’s appearance on stage, was celebrated by the crowd who filled the football field and Diamond section of the Hasely Crawford Stadium. “Surprise!” he said, after he joined Montano singing “Buss Head.” After singing his 2018 hits and spitting extempo lyrics, he explained: “How yuh could have the whole Soca Kingdom and not have the Viking? ...My friend and brother (to Montano), we roll in the oneness.”
Haunted, Fog, Happiest Man Alive, Epic, Bottle of Rum, Vibes Cyah Done followed. After, Montano made a switch to Spanish with his revisit of Celia Cruz’ La Vida Es Un Carnaval, his reggaeton Mama Lo Tiene, Luis Fonsi’s Despacito and Willy William’s Mi Gente. This introduced French Montana, with the soca remix of Taio Cruz’s Row the Body. While the inclusion of the regular Venezuelan dancers on this set was welcomed by the audience, French Montana’s performance did not carry the hype as the rest of the show, even as he performed the popular All the Way Up and Unforgettable.
But Queen of Bacchanal, Destra Garcia and the Queen of Sass, Nadia Batson soon erased the slow pace, taking the show back to an energised level. On her own, Destra sang her classic Bonnie and Clyde and Is Carnival. In the Road March zone, Grenada’s Lil Natty and Thunder performed Top Striker, followed by Shal Marhsall then St Vincent’s Problem Child.
Patrice Roberts’ appearance in a black, feathered gown had the crowd in awe as they watched her wine in her form fitting dress, hitching it up for better leg room as she danced with Lyrikal. She showed her command of the stage when she sang this season’s hit Sweet for Days, accompanied by Exodus. She returned to sing her 2006 road-march Band of the Year. Before the end of her set, she told Montano, “Thank you for creating this monster.”
Road march 2015 hit Like a Boss, introduced another Road March contender Iwer George. His 2018 hit Savannah raised the tempo further, along with his jab-jab themed Come to Meh and well-known Water. But his excitement was doused when Sunny Bling did not appear on stage to sing his spoof Barra.
The audience didn’t miss a beat, however, as Montano reappeared for the finale, singing Soca Kingdom with Road March legend SuperBlue. The underlying Jab Jab rhythm quickly linked to a medley of his hits, Jab Molassie, Bachannal Time, Signal (Tribute to Lara), Wine on Something and Fantastic Friday. “This is the king,” said Montano. “I am just the prince.” Between them they have 17 titles. To make it even, they presented the Road March Queen Fay Ann Lyons who sang winning songs Get On and Meet Super.
The banter continued between Lyons and Montano, encouraging the big flags Two Face, Powder Posse, G6 to a wave off. Returning to where they started, Soca Kingdom ended in euphoria.