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Friday, March 14, 2025

Jointpop takes fans back at Studio Rumours

by

20130909

Lo­cal rock-n-roll ex­po­nents Joint­pop played their first gig at Stu­dio Ru­mours on Au­gust 29.

As they've done in their last sev­er­al gigs, they per­formed mu­sic from their lat­est al­bum re­lease, The Pot Hounds.

But fans who turned up to the Tra­garete Road club were treat­ed to a sam­ple of old­er ma­te­r­i­al sel­dom played by the band. Al­though au­di­ence turnout was mod­est, those who did at­tend got to hear some old­er favourites.

Tak­ing the stage at around 10 pm, the mu­si­cians–gui­tarist Da­mon Homer, drum­mer Dion Ca­ma­cho, key­poardist Phil Hill, and bassist Jerome Gird­har­rie–arranged them­selves around lead singer Gary Hec­tor.

They got it start­ed with the nos­tal­gic Brass and Steel, from the al­bum The Jan­u­ary Trans­fer Win­dow, and Pa­per Plane from The Pot Hounds.

On Who Shot Par­adise, a dark love song about T&T from their Bess of Joint­pop al­bum, Hec­tor showed off his pen­chant for metaphor: "Has any­body seen my girl? She used to be the pret­ti­est girl in the world." Re­gretably, the sound lev­els were not op­ti­mised, so al­though the band mem­bers were seat­ed, they cranked it up loud, ob­scur­ing the lyrics at times.

Jan­u­ary Trans­fer Win­dow's Des­per­ate House­fly Qual­i­ty Day­dream Time took fans back, as did South of France, Planes Trains and Pain and We Can Work it out (from The Longest Kiss Good­night).

But it was Su­per­ap­ple, of Pot Hounds, that sound­ed most pol­ished, as the band has per­formed it many times since the al­bums re­lease last year. The song–as does much of Joint­pop's best ma­te­r­i­al–has shades of foun­da­tion rock-n-roll mu­sic, yet manges to feel con­tem­po­rary, with a unique sen­si­bil­i­ty.

The sec­ond set was strong, with a bet­ter sound bal­ance. They played more songs from The Pot Hounds, in­clud­ing Sexy Garbage Can, The Wa­ter Supreme, Dead Frog Per­fume and Sweet Noth­ings. Hec­tor's wit­ty lyrics and side­ways sense of hu­mour kept the au­di­ence en­ter­tained, both while singing and dur­ing his ad-libs in be­tween.

High­lights of the sec­ond set in­clud­ed the pas­sion­ate The Fool, from Jan­u­ary Trans­fer Win­dow, and I Hate En­ter­tain­ment, a fan fave off 2002's Ex­ile Ba­by. The song, which they haven't played in some time, ex­plores the con­cept of "sell­ing out" for suc­cess. For a band like joint­pop that's at­tempt­ed to main­tain artis­tic in­tegri­ty for more than 15 years, it's al­ways a poignant com­men­tary.

They end­ed the show be­fore the in­ti­mate group of pa­trons with The Bleed­ing Bro­ken Hearts Club.

Stu­dio Ru­mours, at 145 Tra­garete Road, fea­tures live en­ter­tain­ment every oth­er Thurs­day night. Next up will be the band Su­per­nor­mal, on Sep­tem­ber 12.

Keep up to date with the lat­est on Joint­pop by vis­it­ing their web­site joint­pop.com or their Face­book page: Joint­pop.


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