Jaiso Festival: The Sound of Fusion, held on May 17 at SoundForge in St James, was a seamless, genre-bridging showcase of steel, brass, and soul delivered with precision and flair by Jaiso the Band.
The piercing lines of the band’s razor-sharp horn section—Barry Homer (trumpet), Jerron Jones (sax), Irwyn Roach (baritone sax) and Anthony O’Connor (tenor sax)—signalled that this wasn’t just another concert.
Jaiso leader Charlton “Charlo” Alfonso’s version of Julie Andrews My Favourite Things on the tenor pan opened the show, which made way for Khayann Keilani’s rendition of Jill Scott’s He Loves Me and Beyoncé’s Plastic Off The Sofa.
These performances received lusty applause from patrons, including respected veteran musician and producer Carl “Beaver” Henderson, National Carnival Commission (NCC) CEO Keiba Motley and former minister of National Security Brigadier Carl Alfonso, Charlo’s grandfather.
Jemima Joseph brought the groove on with a cool, jazzy reworking of Blaxx’s Mash Up, followed by Quinton Neckles with Natalie Cole’s Inseparable, and Luther Vandross’ Never Too Much which he dedicated to his wife, Monifa.
Midway through the show, Charlo turned up the tempo with a fiery exchange between pannist and percussionist Michael Jaggasar, followed by a full-bodied conga showdown during his performance of Jose Alberto’s La Flauta Invisible.
The second half of the evening featured Charlo in full creative command. Lemuel Davis added percussive heat to Andy Narell’s If We Really Want before Charlo’s moving original Frustration.
With a cast of performers that included moko jumbies and fire breathers, Jaiso transformed SoundForge into a kaiso arena, unearthing Shadow’s classic, Stranger, and Sparrow’s, Lying Excuses.
There were also cameos from rising star Tevin Hartman, delivering his Carnival 2025 release Darlin, while Eko, the Chase sisters Sonja and Suraya, performed their groovy, contemplative number Playback (Canboulay).
By the time Charlo and company segued into Carnival 2025 anthems Too Own Way (Voice) and Throwback (Viking Ding Dong), the crowd at SoundForge was on their feet, dancing, singing, absorbing every note of played by the band.
The Jaiso Festival was billed as a concert, but what unfolded was a movement, which positions the band as gifted performers and cultural innovators redefining Caribbean music.
Follow them on social media @jaisotheband on Instagram or email jaisotheband@gmail.com.