JavaScript is disabled in your web browser or browser is too old to support JavaScript. Today almost all web pages contain JavaScript, a scripting programming language that runs on visitor's web browser. It makes web pages functional for specific purposes and if disabled for some reason, the content or the functionality of the web page can be limited or unavailable.

Wednesday, April 23, 2025

The rough road to stardom, Sullivan Walker

by

20100821

So true is the say­ing that be­tween every rock there is a di­a­mond. From the hills of Suc­cess Vil­lage, Laven­tille, in­ter­na­tion­al ac­tor Sul­li­van Walk­er shines and con­tin­ues to proud­ly fly the T&T flag high. What start­ed off as a sim­ple gig in a lo­cal com­e­dy at the ten­der age of nine, has opened doors for Walk­er, land­ing him ma­jor roles in films with some of Hol­ly­wood's biggest singers and ac­tors–among them rap sen­sa­tion Cur­tis '50 Cents' Jack­son and Tom Cruise. Walk­er, like some of our lo­cal celebri­ties, has def­i­nite­ly been in­duct­ed to our lo­cal hall of fame. The boy from crime-rid­den Laven­tille con­tin­ues to sparkle, giv­ing us hope that all is not gloom. On­ly re­cent­ly the fa­ther of one re­turned to his home­land and held au­di­tions for a tele­vi­sion com­mer­cial at Trinidad Dance The­atre in San Fer­nan­do. There is no lim­it to the play­wright/di­rec­tor of the Caribbean Ex­pe­ri­ence The­atre of Amer­i­ca tal­ent as he has al­so launched his first book en­ti­tled Caribbean Woman, that tells the sto­ry of life in the Caribbean. Tak­ing time from his hec­tic sched­ule dur­ing his vis­it to T&T, Walk­er sat with the Sun­day Guardian re­flect­ing on the some of the many chal­lenges he faced to reach star­dom. It has been no turn­ing back for the young chap who mi­grat­ed to the Unit­ed States more than 30 years ago. A move one can on­ly de­scribe as a bless­ing in dis­guise.

Twist of fate

While at­tribut­ing his suc­cess to the head of the San Fer­nan­do Dra­ma Guild, James Lee­wah who spot­ted his tal­ent, it was the pop­u­lar Scout­ing for Tal­ent Show that paved the way for Walk­er's big break. At the time though, it did not seem much for a dis­ap­point­ed Walk­er who placed third in the com­pe­ti­tion with his mono­logue that de­pict­ed the ills in so­ci­ety. Ac­cept­ing his prize–a trip to New York–with a heavy heart, lit­tle did Walk­er know that luck was wait­ing on the doorsteps for him. "I was very up­set when I placed third. I won both the pre­lim­i­nary and se­mi fi­nal rounds so I had my heart set on win­ning the com­pe­ti­tion. I thought I did well but I was on­ly able to cap­ture the third spot. I took one year to make up my mind to de­cide if I was go­ing be­cause I was re­al­ly dis­ap­point­ed," he re­called.

It was bare­ly one month af­ter Walk­er mi­grat­ed to the Unit­ed States in Au­gust 1969 that he start­ed per­form­ing in youth clubs in New York.

"I want­ed to be some­one. I want­ed to do some­thing in my life; act­ing con­sumed me. I want­ed the world to be my class­room.

I re­alised that get­ting a trip to the Unit­ed States was the best thing that could have hap­pened to me be­cause I could not have af­ford­ed to go abroad on my salary as a school­teacher. "The irony is that Trinida­di­ans saw these plays as hu­mor­ous, but Amer­i­cans did not see the hu­mor, in essence it was a sad sto­ry for them." One af­ter the oth­er doors be­gan to open for Walk­er; he got the sec­ond lead role in a play Sea­son in the Con­go. "I was mak­ing $75 dol­lars per week and the play ran for three months. I thought I had ar­rived, ob­vi­ous­ly I did not know the busi­ness. Act­ing in New York calls for you to pay dues; I did not un­der­stand how the busi­ness worked so I had o fall back on what­ev­er job I got. Ba­si­cal­ly I did what was le­gal to make a liv­ing and that even in­clud­ed work­ing in a mail­room de­liv­er­ing pack­ages. When I got my union card I start­ed to see my way," Walk­er said.

The big break

Walk­er re­called that in 1986 he was do­ing a play called A Doll's House in At­lanta when the cast­ing of the pop­u­lar Bill Cos­by Show called and of­fer him a job. "I was asked to act as Cos­by's best friend but I was un­able to get out of my con­tract. It was ex­act­ly one year af­ter the cast­ing called again and I was of­fered a job as a cab dri­ver on a se­ries called Where I Live, which aired on ABC tele­vi­sion. That led to a job with Steven Spiel­berg and I act­ed in an­oth­er se­ries called Earth Two and then I al­so had the op­por­tu­ni­ty to act with Tom Cruise in the hit film The Firm. This was a great op­por­tu­ni­ty for me which opened more doors."

But nev­er in Walk­er's wildest dreams did he ever imag­ine that he would have been act­ing with one of Hol­ly­wood's biggest rap­pers. He beat out Gram­my win­ners like Samuel L Jack­son, Lau­rence Fish­burne and Jim Browne to get the part of 50 Cents grand­fa­ther in the hit film Get Rich or Die Try­ing. "This was a very sig­nif­i­cant mile­stone for me be­cause at the time 50 Cents was the biggest rap­per. I was cho­sen for the job over some of the biggest ac­tors; it felt re­al­ly good," he said.

Re­jec­tion is part of life

But it was not al­ways smooth sail­ing for Walk­er who ad­mit­ted that he was forced to deal with sev­er­al bouts of dis­ap­point­ment. "For every film I got there was a film I want­ed and just did not get. It has def­i­nite­ly not been an easy road. I had my heart bro­ken and just had to pick up the pieces and move on. The thing about act­ing is that you have to learn to take re­jec­tion well. If you can­not take re­jec­tion you may as well throw your hat in­to the ring. It is not about giv­ing up but push­ing to get what you want," the suc­cess­ful ac­tor end­ed.


Related articles

Sponsored

Weather

PORT OF SPAIN WEATHER

Sponsored