On a nar­row street in Diego Mar­tin, a lit­tle girl once told every­one that the road was named af­ter her. “Sa­landy Street—that’s mine,” she’d say with a grin, con­vinced it was proof she was meant for great­ness.

The lega­cy of Dai Ail­ian—the T&T-born dancer who be­came a tow­er­ing fig­ure in Chi­nese cul­ture and is revered as the “Moth­er of Chi­nese Mod­ern Dance”—con­tin­ues to in­spire new gen­er­a­tions across the globe. Last Wednes­day evening, that lega­cy was ho­n­oured in Port-of-Spain as the Chi­nese Em­bassy and the Dai Ail­ian Foun­da­tion launched the Chi­nese Dance Mas­ter Class Se­ries: Wu Dao—An Eth­nic In­no­va­tion, an ini­tia­tive de­signed to show­case the beau­ty and di­ver­si­ty of Chi­nese folk and eth­nic dance.

“Each of us has an op­por­tu­ni­ty to use our skills, not on­ly to help those around us, those we know—but to pro­vide for women you don’t know.”

Édith Pi­af was born Édith Gio­van­na Gas­sion in De­cem­ber 1915 in Belleville, a work­ing-class dis­trict of Paris.

Gy­nae­col­o­gist/Ob­ste­tri­cian Dr Sherene Kalloo has de­liv­ered over 11,000 ba­bies—and she’s still go­ing strong.

On Sep­tem­ber 24, the San Fer­nan­do Cre­ative Arts Cen­tre will trans­form in­to a por­tal to the past when ten tal­ent­ed lo­cal de­sign­ers breathe new life in­to “old-time days” through the pow­er of fash­ion. Sto­ries From in de OLD House promis­es to be a nos­tal­gic, style-packed jour­ney like no oth­er.

This time­ly col­lec­tion asks an am­bi­tious ques­tion: af­ter six decades of in­de­pen­dence, where ex­act­ly is Trinidad and To­ba­go—and what must we do next? Across 12 da­ta-rich chap­ters, lead­ing schol­ars and prac­ti­tion­ers sur­vey the na­tion’s en­er­gy sto­ry, so­cial sec­tors, eco­nom­ic struc­ture, and gov­er­nance, then out­line a pro­gramme for re­new­al. The re­sult is an ac­ces­si­ble, of­ten brac­ing stock-take that be­longs on the desks of pol­i­cy­mak­ers and en­gaged cit­i­zens alike.

The Su­per­novas Pa­n­yard in Sur­rey Vil­lage is, un­de­ni­ably, one of the most beau­ti­ful mu­si­cal venues in the coun­try; set in the open air in the foothills of the North­ern Range and oc­cu­pied by a young steel­band that has nev­er set lim­its on its am­bi­tions.

Pro­fes­sor Hol­lis Liv­er­pool, bet­ter known as Chalk­dust the ca­lyp­son­ian—ORTT—de­scribes him­self as a “Black Pow­er Catholic”: ful­ly con­scious as an his­to­ri­an of the his­tor­i­cal wrongs of the Catholic Church against Black peo­ple, yet per­suad­ed by the good­ness and pow­er of the Sacra­ments of the faith.

Er­rol Ed­ward Ma­habir nev­er wa­vered in his com­mit­ment to the im­prove­ment of T&T. His faith in the na­tion re­mained stead­fast un­til his pass­ing ten years ago.

If it’s one thing, the Bird­song Acad­e­my has set it­self some se­ri­ous­ly am­bi­tious goals. For in­stance, the pro­gramme for its Au­gust 15 Va­ca­tion Camp clos­ing con­cert, ref­er­ences “vi­sion and cul­tur­al in­no­va­tion” as a key DNA-lev­el fea­ture of the com­mu­ni­ty in which the acad­e­my re­sides, and a main man­date of the acad­e­my.

For 15-year-old Jay­da Ram­jat­tan, the en­vi­ron­ment is more than a cause—it’s a way of life. From act­ing and po­et­ry to pageantry and ac­tivism, her pas­sions all cir­cle back to one cen­tral theme: pro­tect­ing the earth.